A depressingly accurate take on the Chicago Facebook Torture story to bookend this mornings post on same.
Anti-police activists and the mainstream media are incensed at the suggestion that the Black Lives Matter movement could have influenced the behavior of the four individuals in Chicago who tortured a disabled white man for hours last week while yelling “Fuck white people” and “Fuck Donald Trump.” In one sense, the activists and media are right: The influences were broader than that. They include the reign of racial victimology, inner-city gang culture, and black anti-white animus.
We live in Ta-Nehesi Coates’s America, characterized by the assumption that blacks are the eternal targets of lethal white oppression. Coates’s central thesis in Between the World and Me, his acclaimed phantasmagoria of racial victimology, is that America continuously aspires to the “shackling” and “destruction” of “black bodies.”
Chicago’s four torturers certainly have not read Between the World and Me. But the book’s worldview echoes throughout our society, including in the inner city. Michelle Alexander’s equally publicized book, The New Jim Crow, argues that the U.S. seeks to reimpose de facto segregation on blacks via the criminal justice system. Alexander has been a staple on black media, among many other outlets. President Obama has insisted, even up to his last days in office, that blacks are the victims of a racist criminal-justice system. The press routinely disseminates phony statistics that purport to demonstrate a police war on blacks. These ideas matter.
Mac Donald continues her scathing critique:
Even if there weren’t already a strain of racial hostility in inner-city culture, the constant establishment refrain that whites oppress blacks at every opportunity would create it. Every highly publicized cop assassination in the last two years has triggered gloating on social media. Ja’Mal Green told the New York Times that the assassination of five Dallas police officers was “not a setback at all” for Black Lives Matter. The Dallas gunman had said he wanted to kill white people and white cops. Though Green insisted that he was not encouraging violence, he said that the assassination showed “the people of this country that black people are getting to a boiling point. We are tired of watching police kill our brothers and sisters. We are tired of being tired.” At some point, there “comes a time when black people will snap,” he said. While one is grateful for Green’s avowal not to be encouraging violence, such sentiments come close to rationalizing it.
The establishment typically looks the other way at manifestations of black anti-white animus. Racism in rap music is usually ignored. The Associated Press excluded any reference to the race of the victim and assailants in its initial report on the Chicago torture episode, as John Hinderaker observed at Powerline, and merely noted that police were investigating a “beating” captured on social media. The AP’s follow-up report acknowledged that someone in the video appeared to use profanities about “white people” and that the victim “appeared to be white,” while “others shown in the video appeared to be black.”
Pour a couple of fingers of Mr. Walker’s Marvelous Elixir, kick back and take in the whole piece.
When you’re done you may agree with Ricochet’s Jon Gabriel’s dead-on sarcastic assessment that “The best part about the Obama era is all the racial healing.”