The Borgias of Media: How THE MSM SPUN the Chicago Facebook TORTURE story
A little hi-octane to get your Tuesday motor running.
Rod Dreher over at The American Conservative deconstructs (a little cultural appropriation from the Academic Left there) how the Journalistic Clerisy furiously spun the Chicago Facebook Torture story:
The Cathedral in a nutshell
The Cathedral (aka the Clerisy, the Megaphone) is basically the Western world’s intellectual fashion industry. It consists of almost all of the respectable or even semi-respectable parts of the news media, the entertainment industry, and the softer social science and humanities parts of the education industry.
Basic economic theory predicts that these industries should be diverse in their approaches to politically sensitive topics. Unlike the field of particle physics, political fashions are not significantly limited by reproducible scientific experiments. The market should be fragmented, and the various firms should specialize in appealing to different segments of the market.
But this does not seem to be the case. Instead, the Cathedral seems much more homogeneous in its coverage of politically sensitive topics than it is in coverage of food, art, sports, religion, etc.
The mechanism for this homogenization is not obvious. Unlike the Catholic Church, the Cathedral has no pope (although I read recently that Warren Buffet owns 71 newspapers, and the New York Times is owned in part by Carlos Slim, whose vast fortune has a lot to do with his special relationship with the Mexican government). One factor is that the credibility of a set of information sources depends on their being able to agree on a story (coordination games, the peloton effect, the parliament of clocks). Another factor is self-dealing: people with high verbal skills tend to support a system of government that is controlled by people with high verbal skills, and once they control it, they tend to want it to be unlimited in scope. Another factor is self-selection: once an institution becomes dominated by members of a political movement, it tends to become unpleasant and career-limiting for anyone else to work there. Another factor is that the easiest way to write a newspaper story is to copy it from a politician’s press handout. To a considerable extent, these institutions are deliberately manipulated by politicians (broadcast licensing, educational and research funding, journalistic access, selective leaking of secrets, etc., aka Gleichschaltung; in many cases, journalists are literally married to political operatives or are involved in “revolving door” relationships with the political institutions they write about, such as Jeff Immelt of GE, MSNBC and the Obama administration). But the two biggest factors are probably that (1) intellectuals are seduced by political power (the Boromir effect), and (2) these institutions are quasi-religious, and have taken on the peculiar characteristics of the dominant quasi-religion of the day.
Three things make an intellectual movement quasi-religious: (1) the outputs that they produce are credence goods, (2) they provide a framework for competition for social status, and (3) this basis is insecure. The fact that credence goods are involved means that conflict about them will tend to be irrational. The fact that social status is involved, and that the basis for social status is insecure, means that this conflict will be relatively vicious, and will carry a strong odor of a witch hunt.
The Cathedral is powerful partly because its relative homogeneity allows it to serve as a gatekeeper of politically relevant mass-market information and interpretation. But its real power comes from control of what ideas are associated with high status. Everyone thinks, “I’m my own man. I think for myself.” But unconsciously, people tend to copy the opinions of people who are one step above them on the social ladder. This was explained in the Cerulean Top scene in The Devil Wears Prada.
Take a gander.
No second cuppa wet caffeine will be needed to get your blood a-jangling…